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This is From Lenny

by Feck

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. I would like to pay $3.69! Favorite track: Why Don't Me Down.
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Electric Boy 03:01
She can go back when I blow them out But an Electric Boy can Shock her down to the ground She can go back when I blow them out But an Electric Boy can Shock her down to the ground He's off his wire and comfortable But there's no anchor to grab hold of Never-ending circuit boards I can't think straight I can't hold on The rope is slipping slow as hell But there's no way to throw it off The long way down is farther now There's no way but to fall back down She can go back when I blow them out But an Electric Boy can Shock her down to the ground She can go back when I blow them out But an Electric Boy can Shock her down to the ground Don't you think it's stupid now A back wire here, A back wire there I stand too close to make it out The limits reach, the time's gone out The headache pounds and the headlights flash He's standing tall and keeping ground Of all the people stood around Who anchored on while he wasn't there She can go back when I blow them out But an Electric Boy can Shock her down to the ground She can go back when I blow them out But an Electric Boy can Shock her down to the ground He pounds and pounds on melted steel He can hardly breathe, he can hardly feel The pulsing shots on either arm The lover's match, the killer's charm There's racing rhythm to his bones But no bones found his older back The back that loudly marks its scent Or shocks the ones who came and went She can go back when I blow them out But an Electric Boy can Shock her down to the ground She can go back when I blow them out But an Electric Boy can Shock her down to the ground Electric Boy (x1000000)
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Dark Tint 03:58
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I've been turned into sand I am now called the Sandman I've got to take down Spider-Man (x3) I lost my cool like I did I lost my cool like I used to I made it seem like I had more than I did I did stuff I didn't like I shot Uncle Ben then took off in his car But from there I didn't make it far The pressure to make it back home to stay If I get some money to keep my daughter alive I think about it when I have time But I don't give myself enough to think If it gets any worse I'll probably just sink away I broke outta prison today I think about calling my friends But before I pick up the line I am reminded Of the fact that I'm on the run I wish it would happen again I'd hear a voice in my head and it'd tell me what to do And now Spider-Man I need you I've been turned into sand I am now called the Sandman I've got to take down Spider-Man You tried to stop me at the worst point In a different place and time we would be friends Well I guess that all depends I didn't want Eddie's help But the fact of the matter is I had to make a move If you were me you would agree too I thought about Ben's last moments He wanted to help, no he didn't deserve to die And every single day I wonder why Why did I shoot him so bluntly Could I not have run around and found somewhere to run off to Is that why you're after me too? I've been turned into sand I am now called the Sandman I've got to take down Spider-Man (x2) I lost my cool like I did I lost my cool like I used to I made it seem like I had more than I did (x2)
6.
Cortez Sail 05:48
See how the rain Falls from the sky Drifting down From your high mountain's eye But don't look surprised You're going home Yeah you're leaving L.A On a cloudy day Pushing the crowd away You gonna get away today An you turn on your radio An let the wind blow With your rock n roll Down the highway All the way Ah but see how, the lightning Makes cracks in your air Tearing the clouds Then closing the tear Yeah but you're not surprised Anymore You're going home To Mexico See how the lightning Makes cracks in your air Tearing the clouds Then closin the tear Yeah but you're not surprised anymore You're going home To Paradise
7.
Neon Sign 03:11
What looks like neon light To take your pastels and make them bright It makes them move and it makes them buzz Now does that get me yes it does God knows it does Neon sign neon sign You get me every time I feel that thrill Just like before But now I don't fit in anymore Fit in anymore What will I do though without that buzz But I want b-trees the way they was The way things stand and the way things been I just don't fit in No I don't fit in Neon sign neon sign You still get me everytime I feel that thrill Just like before But now I don't fit in anymore Fit in anymore I feel a thrill like I did before But neon I love twilight more I feel a thrill I feel a thrill But the things I feel from the twilight Make time stand still Neon sign neon sign You get me everytime I feel that thrill Just like before But now I don't fit in anymore Fit in anymore
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Did you come for the sound? Did you come from miles and miles around? Well, you're here now To move faster than time And remove any doubt That you are what this is about When this was then When I came by myself I came for you I came for you Oh You were there now Expectations derailed So take the frame off the nail And see where the color runs pale Its outline shows That all the essence remains It has left many stains On our walls, on our souls On our brains When then was now And when I came by myself I came for you
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I know a parking lot And you know both of my friends Or even better yet You know the people I'm sick of And it's a darling shame The way it all turns bad And there's a culture shock When it goes too fast Don't you think this gets boring After the fiftieth time I'm spending night on the bench And you are falling for killers And it's a darling shame The way it makes you sick And if you go to jail That won't do the trick
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Empty Bottle 02:21
I'm like an empty bottle Drained of everything left in my mind Checking out life on the dark side Riding down the road 'til the end of time I'm like a broken lantern Stuffed of everything good and light Hanging 'round waiting for something To pick me up or hang me dry Fill me up again Fill me up again (x10000)
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Junk Testers 02:42
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Max Bottom 03:17
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BS Barran 05:42
It's just another farsight But there's no reason for the kind of supernatural They'd rather look at the lights And condescend the people giving them material And if it's something bigger Or nothing big at all The groundwork's set for what will Come up in the passing years And if your eyes have left it And gone to something else Then that's the only thing That should be on your mind right now
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You can go where you want to You can find your place in the sun You can put yourself out there For an audience that'll never come You can go and search for something For something that you'll never find Wherever it is the limelight's at Tunka's not far behind The road to stardom is messy And you may never see the other side There's a whole lot that's waiting down there And there's not much you're leaving behind You can move on if you want to If you do, don't forget to write Wherever it is the limelight's at Tunka's not far behind (whistling and harmonica-ing) The places you find may be scary And the people you left behind, they sure won't mind We're not expecting much to happen And if nothing really happens, then that's fine So you can go and search for something For something that you'll never find Wherever it is that limelight's at Tunka's not faaaaaaaaaaar behind "They'll know exactly who Tunka is and what Tunka's all about... 'Cuz this is Tunka."
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This is from Lenny I ran outta food yesterday I can probably last a couple of weeks or so That actually seems far away I got a good bit of water But I think the worst is on its way So since I have some time There are a few things I wanna say Big enough To know everything I seem better From the way I'm speaking I'm lookin' in I see no turning point No place to begin There is no animal The shape that I'm in There is no start of my anatomy I'm lookin' in If I should suffocate And die like a man Or mooch off a better man Then that's all I am And that's all I'll ever be If I'm around here I fell down A rabbit hole and here I am I should've known This is how it would turn out I'm lookin' in I know no better but I've got nothing there And nothing's left here at all I'll make it a bet Loser wins and I just make it out again If I should go Farther than anyone That I've ever known Past all the deepest pits And parts now unknown Maybe I'll circle back And come back here Even if I die Or suffer an illness And be hardly alive Even in the smallest way I'll still be alright And either way for you I'll feel satisfied Tiny way Of reaching out I'm shallower Than words can allow I'm the one Who's regretting this I'm the one Who's feeling it I'm losing breath Numbness in both my arms They're dying I guess I still feel okay but there's Pain in my chest And something is hurting my head a lot Should I give in? Should I let circuit boards Invade who I am? And make a me a better man Than I've ever been Or should I just let it all fade out again Big enough To know everything I seem better From the way I'm speaking

about

This album has been in production since the release of South Wayside and 45 in May and while it may seem like a nonsensical amalgamation of a bunch of random, unrelated tracks—there’s something interesting going on here. These songs are, for better or for worse, all songs I love. When I would cover a song, or make a song with heavy-sample usage, I threw it onto this album because I couldn’t put it on legitimate streaming services.

For a while, this album was a formless wasteland of covers and samples all culminating in a largely pointless release. But as it grew and expanded, it became the closest thing to stream-of-consciousness an album can get. These songs worked with and against each other at random intervals, occasionally promoting an ideal only to demolish it one song later. They contradict each other and juxtapose themselves distinctly. Some of these songs are beautifully optimistic, and some beautifully tragic, and some in-between. Some aren’t even songs at all.

Despite this, when viewed under the right lens, this scatter-brained nonsense actually becomes something worth listening to. When I was ready to release the album, I was going to cut this 20-track behemoth into something more tolerable. Maybe 10 tracks, 12, 15 even. There were songs I thought were total throwaways that I could lose with no change to the album’s purpose. However, when I actually started cutting, I realized these songs need each other. Losing even just one of these songs tore the whole thing apart.

It’s like the saying that the whole is greater than the sum of its parts, but the exact opposite. The parts are what matter, the whole is simply a vehicle for the parts. Without the parts, there’d be no whole, but without the whole the parts still exist. And they flourish on their own.

Download the album to receive a PDF of the liner notes which contains all the lyrics and a track-by-track description of the album.

credits

released February 11, 2020

Tracks 1, 6, 12, and 20 supervised by audio engineer Jonah Carmena.

Track 2 written by Roger Nusic
Tracks 4 and 6 written by Terry Allen
Track 7 written by Jonathan Richman
Track 9 written by Andrew W.K.
Track 13 written by Dekkar

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Feck New Orleans, Louisiana

Feck is a multi-instrumentalist from New Orleans specializing in rock jams and experimental noise stuff.

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